It’s this last example that demonstrates that really, the fertile imagination innate in us all is often the start of something rather special in map terms.Īs the Crow Flies cARTography drew Ice Cream Island to accompany a children’s novel series about a fantasy island of ice cream. Cartography extends from reference mapping through to single theme maps, from national map series to a kid drawing his or her classroom and from a cartography student creating their first web map to a boy scout drawing out their imaginary worlds.
But yet people still find additional themes, objects and thoughts that give them something to make a map from. there anything that cannot be mapped? Think about it…the entire world is our mappable object at every conceivable scale from planetary to the atomic. The more Cartagena explains, the clearer it becomes: The most intriguing characters in this exhibition aren't on the walls, but are the artists themselves. "He was playing in the street and was hit by a car." "He got into an accident when he was a child," he said. She writes everything, doesn't matter if it's English, she captures the whole paragraph."Ĭartagena talks about the Jesus that artist Gerald Wiggins drew and Quintin Rodriguez's image of the pope and then points at the latter artist's drawing of a skeleton with the phrase, "Santos con problemos physicales" (Saints with physical problems) written underneath. "She really wanted to learn and she has this obsession with writing. "She never went to school because her mama didn't want her to, but not because she couldn't," he said of the artist. Horoscope for Wednesday, 8/31/22 by Christopher Renstrom.Nurse practitioner says CVS fired her over abortion stance.Legendary Pixar animator who worked on ‘Toy Story' dies at 56 in Bay Area.
Burning Man 2022 changes policy about coffee sales.Missing Bay Area college student Tyler Kincaid found.Bay Area university loses top ranking on Forbes' best colleges list.Horoscope for Thursday, 9/01/22 by Christopher Renstrom.One artist, Bertha Otoya, uses text in her work, meticulously copying passages from a variety of sources. Her family didn't allow her to draw devils, so that's why she did them here." "This is Rose, from the center, and this is her first print," he said, standing before a triptych by Rose Gordon depicting horned creatures in red ink on black paper. There is a communication there," he said. Even if they cannot speak to me, I speak to them. He acts as a proxy for the artists, many of whom are nonverbal or limited in their speaking abilities.Ī native Spanish speaker originally from El Salvador, he said he identifies with the artists on multiple levels - cultural, religious and artistic. Walking through the exhibition, he provides details about each work, from the multiple attempts it took an artist to create a final print to the specificities of an artist's upbringing. He was instrumental in each piece's development and shares a deep connection with the featured artists. The show developed out of a printmaking class Cartagena has offered at the studio for the past year. "I find the creatures in the prints more comforting than scary, maybe somewhat idiosyncratic and original."
"They take us to myths and rituals and a world that can be rather magical and open-ended," said teaching artist Victor Cartagena, who curated the exhibition.